MLK Memorial Library Exhibition Design
A renovation and a revolution.
The exhibition connects Dr. King’s local activism with the broader activist landscape integral to the city’s deep history of revolution, culture, and change.
In early 2019, Workhorse began designing the permanent exhibition for the Martin Luther King Jr. Memorial Library, Washington D.C.’s central library.
The permanent exhibition Up from the People: Protest and Change in DC is part of a decades-long renovation completed in 2020 by Mecanoo and OTJ Architects.
Up from People: Protest & Change in DC
A permanent exhibition at the Martin Luther King Jr. Memorial Library.
The exhibition we designed seeks to reflect the stories of the individuals who were instrumental in shaping not just the modern architecture of the library but also the culture and identity of modern Washington, DC.
Architect Ludwig Mies van der Rohe
'Mies' was the last director of the Bauhaus and one of the century’s most influential architects. The Bauhaus redefined design and art education and gave birth to the modernist movement that still prevails today.
The MLK Library is the only public library ever designed by Mies.
Less than a decade after 1963's "I Have a Dream" speech on the steps of the Lincoln monument, the DCPL board voted to name the city's central library after the civil rights icon.
Martin Luther King Jr. in DC
Dr. King had long-established ties with local clergy, activists, and students, specifically those fighting to create autonomy for the district. These people included a young pastor named Walter Fauntroy, who became the first representative in congress for the District of Columbia. Also, the young chairman of the Student Non-Violent Coordinating Committee (SNCC), and later Mayor for Life, Marion Barry.
By Tré Seals, Vocaltype
MARTIN is a non-violent typeface inspired by remnants of the Memphis Sanitation Strike of 1968. Memphis sanitation workers, the majority of them Black, went out on strike on February 12, 1968, demanding recognition for their union, better wages, and safer working conditions after two trash handlers were killed by a malfunctioning garbage truck.
Tré Seals
Christian Schwartz, FontFont, 2002
FF Bau is a large workhorse family of sans serif typefaces drawn in the “Grotesk” genre. Christian Schwartz is its designer, working under the inspiration of Grotesk types cast by the Schelter & Giesecke foundry in Leipzig. Schelter & Giesecke sold these popular Grotesks for many decades; they were first introduced around 1880. When the Bauhaus moved nearby in Dessau in the mid-1920s, these faces were chosen as the main selection in their printing shop, and the vast majority of their classic experiments in asymmetrical typography featured them prominently.
FontFont